Anna Sagström

Fagersta / New Haven

Runs Country Music

Previously Minibar Stockholm

Site made with PWR Studio

annasagstrom@gmail.com

 

Some Steel & Ironscapes, 2018<br />
<br />
Selected Works 2015–2017<br />
24x36" poster.
Some Steel & Ironscapes, 2018

Selected Works 2015–2017
24x36" poster.
Some Steel & Ironscapes, 2018<br />
<br />
Selected Works 2015–2017<br />
24x36" poster.
Some Steel & Ironscapes, 2018

Selected Works 2015–2017
24x36" poster.
Exergy, 2016<br />
<br />
Future Work Times? Freedom / Division / Pleasure / Dance. <br />
<br />
Ferrofluid, iron oxide, steel, iron, wood, rust spray, miniature globe, paint, wood, heat lamp. Platform, Stockholm
Exergy, 2016

Future Work Times? Freedom / Division / Pleasure / Dance.

Ferrofluid, iron oxide, steel, iron, wood, rust spray, miniature globe, paint, wood, heat lamp. Platform, Stockholm
Exergy, 2016<br />
<br />
Ferrofluid, iron oxide, steel, iron, wood, rust spray, miniature globe, paint, wood, heat lamp. Platform, Stockholm <br />
<br />
"Break tension in the inner leg and pelvic region. Evoke flow of energy."
Exergy, 2016

Ferrofluid, iron oxide, steel, iron, wood, rust spray, miniature globe, paint, wood, heat lamp. Platform, Stockholm

"Break tension in the inner leg and pelvic region. Evoke flow of energy."
Exergy, 2016<br />
<br />
Ferrofluid, iron oxide, steel, iron, wood, rust spray, miniature globe, paint, wood, heat lamp. Platform, Stockholm
Exergy, 2016

Ferrofluid, iron oxide, steel, iron, wood, rust spray, miniature globe, paint, wood, heat lamp. Platform, Stockholm
Exergy, 2016<br />
<br />
"The coincidence of the changing of circumstances and of human activity or self-changing can be conceived and rationally understood only as revolutionary practice. […] All social life is essentially practical. All mysteries which lead theory to mysticism find their rational solution in human practice and in the comprehension of this practice." Karl Marx
Exergy, 2016

"The coincidence of the changing of circumstances and of human activity or self-changing can be conceived and rationally understood only as revolutionary practice. […] All social life is essentially practical. All mysteries which lead theory to mysticism find their rational solution in human practice and in the comprehension of this practice." Karl Marx
Works And Days, 2018<br />
<br />
Calendar for Country Music constructed around thoughts on measured units of time, work and structural organization. The traditional calendar grid is broken up to consider a more subjective organization of time and days. The title, Works And Days, is taken from Hesiod’s Farmers Almanac from 700 BCE with the same name.
Works And Days, 2018

Calendar for Country Music constructed around thoughts on measured units of time, work and structural organization. The traditional calendar grid is broken up to consider a more subjective organization of time and days. The title, Works And Days, is taken from Hesiod’s Farmers Almanac from 700 BCE with the same name.
Works And Days, 2018<br />
<br />
"Mark the days which come from Zeus, duly telling your mens of them, and that the thirtieth day of the month is best for one to look over the work and to deal out supplies. For these are days which come from Zeus the all-wise, when men discern aright." Hesoid
Works And Days, 2018

"Mark the days which come from Zeus, duly telling your mens of them, and that the thirtieth day of the month is best for one to look over the work and to deal out supplies. For these are days which come from Zeus the all-wise, when men discern aright." Hesoid
Pig iron (life as futile, then, as frail), 2016<br />
<br />
Ferrofluid, iron oxide, stainless steel, NdFeB magnet.<br />
<br />
For Bodyholes, 9th Berlin Biennale
Pig iron (life as futile, then, as frail), 2016

Ferrofluid, iron oxide, stainless steel, NdFeB magnet.

For Bodyholes, 9th Berlin Biennale
A Theory for the Strange-Girl: Raw Red Text, Manuscript for Swimmers, 2018<br />
<br />
A waterproof edition of Jennifer Boyd's essay "A Theory for the Strange-Girl: Raw Red Text", staged and performed by P.O.S.S.E in Vårberg public pool.<br />
<br />
A4 pvc paper, metal clasp.
A Theory for the Strange-Girl: Raw Red Text, Manuscript for Swimmers, 2018

A waterproof edition of Jennifer Boyd's essay "A Theory for the Strange-Girl: Raw Red Text", staged and performed by P.O.S.S.E in Vårberg public pool.

A4 pvc paper, metal clasp.
A Theory for the Strange-Girl: Raw Red Text, Manuscript for Swimmers, 2018<br />
<br />
"The question is: how to destroy a reality? Destroy is a verb with an objective, meaning to put an end to the existence of something by damaging or attacking it: The room had been destroyed by fire. To ruin someone; to defeat someone utterly."
A Theory for the Strange-Girl: Raw Red Text, Manuscript for Swimmers, 2018

"The question is: how to destroy a reality? Destroy is a verb with an objective, meaning to put an end to the existence of something by damaging or attacking it: The room had been destroyed by fire. To ruin someone; to defeat someone utterly."
A Theory for the Strange-Girl: Raw Red Text, Manuscript for Swimmers, 2018<br />
<br />
"The vital mode of the Strange-Girl is a force for action, which may now take form within your body."
A Theory for the Strange-Girl: Raw Red Text, Manuscript for Swimmers, 2018

"The vital mode of the Strange-Girl is a force for action, which may now take form within your body."
Flyers for Country Music, 2018<br />
<br />
Bring your tiny wheel-barrows, hammers and lanterns and join in the transformation of work into wealth, of onset into action, of dark compactness into brilliant speeding movement.
Flyers for Country Music, 2018

Bring your tiny wheel-barrows, hammers and lanterns and join in the transformation of work into wealth, of onset into action, of dark compactness into brilliant speeding movement.
Flyers for Country Music, 2018<br />
<br />
Pocket your tools, squeeze the sickles in your hand, fingers on metal and the hand held gripper.<br />
<br />
Flyers for Country Music, 2018

Pocket your tools, squeeze the sickles in your hand, fingers on metal and the hand held gripper.

Digital record covers for Country Music, 2018<br />
<br />
Static or spinning record covers, interactive custom media player and time ticker (developed by Julia Novitch). Focus is put on a tension between texture and the digital, time, rotation and tempo with inspiration from observing and working with saw blades in workshops and practically learning to use their graphics and shapes indicating directions and field of use. Made with Wei Huang.
Digital record covers for Country Music, 2018

Static or spinning record covers, interactive custom media player and time ticker (developed by Julia Novitch). Focus is put on a tension between texture and the digital, time, rotation and tempo with inspiration from observing and working with saw blades in workshops and practically learning to use their graphics and shapes indicating directions and field of use. Made with Wei Huang.
Digital record cover for Country Music: remix series, 2018<br />
<br />
Static or spinning record covers, interactive custom media player and time ticker (developed by Julia Novitch).
Digital record cover for Country Music: remix series, 2018

Static or spinning record covers, interactive custom media player and time ticker (developed by Julia Novitch).
Country Music print edition 3. The Mines at Falun – E.T.A Hoffmann (1819), 2018<br />
<br />
Double-sided A4 pamphlet, printed on grainy cardboard. <br />
<br />
"A rough, deep voice said close behind him: ‘You must have had bad luck indeed, young man, if you are wishing for death when your life is only just beginning."
Country Music print edition 3. The Mines at Falun – E.T.A Hoffmann (1819), 2018

Double-sided A4 pamphlet, printed on grainy cardboard.

"A rough, deep voice said close behind him: ‘You must have had bad luck indeed, young man, if you are wishing for death when your life is only just beginning."
Farm Sensorium, 2015<br />
<br />
Wheat Sheaves, metal stands, spray paint. Galleri Bon, Stockholm
Farm Sensorium, 2015

Wheat Sheaves, metal stands, spray paint. Galleri Bon, Stockholm
Farm Sensorium, 2015<br />
* For Winter Birds 1<br />
* For Winter Birds 2<br />
* For Winter Birds 3<br />
<br />
Wheat Sheaves, metal stands, spray paint.
Farm Sensorium, 2015
* For Winter Birds 1
* For Winter Birds 2
* For Winter Birds 3

Wheat Sheaves, metal stands, spray paint.
Farm Sensorium, 2015<br />
<br />
Wheat Sheaves, metal stands, spray paint. <br />
<br />
*Enligt tradition sätts det i vissa nordliga regioner ut en så kallad julkärve, vilket är en fågelmatning för småfåglar i juletid.
Farm Sensorium, 2015

Wheat Sheaves, metal stands, spray paint.

*Enligt tradition sätts det i vissa nordliga regioner ut en så kallad julkärve, vilket är en fågelmatning för småfåglar i juletid.
Farm Sensorium, 2015<br />
The Hungry Soul.<br />
<br />
Stickers, wall paint. Made with Per Törnberg
Farm Sensorium, 2015
The Hungry Soul.

Stickers, wall paint. Made with Per Törnberg
Iron Brew (ADHD). 2015<br />
<br />
Sheet metal, C-Print. 65x85 cm. Made with Per Törnberg<br />
<br />
* Sunset Yellow FC and Ponceau 4R may have an adverse effect on activity and attention in children.
Iron Brew (ADHD). 2015

Sheet metal, C-Print. 65x85 cm. Made with Per Törnberg

* Sunset Yellow FC and Ponceau 4R may have an adverse effect on activity and attention in children.
Iron Brew (env iron mental). 2015<br />
<br />
Wood, Sunset Yellow FCF paint, Ponceau 4R paint, iron oxide, iron, stainless steel, aluminium can, IRN BRU.
Iron Brew (env iron mental). 2015

Wood, Sunset Yellow FCF paint, Ponceau 4R paint, iron oxide, iron, stainless steel, aluminium can, IRN BRU.
A Blast Furnace, 2017<br />
<br />
Artist’s book documenting and reproducing my solo exhibition ‘A Blast Furnace’ in a public arcade in central Prague in 2017. The book reflect the multi-medium, panoramic structure of the exhibition and reconstructs the main panorama through interlaced loose sheets of paper, mixing the original view with a system of new unexpected material meetings. The materials chosen mimic and translate the materials in the exhibition and its emphasis on layering and smelting into two-dimensional form. Made with Wei Huang.
A Blast Furnace, 2017

Artist’s book documenting and reproducing my solo exhibition ‘A Blast Furnace’ in a public arcade in central Prague in 2017. The book reflect the multi-medium, panoramic structure of the exhibition and reconstructs the main panorama through interlaced loose sheets of paper, mixing the original view with a system of new unexpected material meetings. The materials chosen mimic and translate the materials in the exhibition and its emphasis on layering and smelting into two-dimensional form. Made with Wei Huang.
A Blast Furnace, 2017<br />
<br />
Artist’s book documenting and reproducing my solo exhibition ‘A Blast Furnace’ in a public arcade in central Prague in 2017. The book reflect the multi-medium, panoramic structure of the exhibition and reconstructs the main panorama through interlaced loose sheets of paper, mixing the original view with a system of new unexpected material meetings. The materials chosen mimic and translate the materials in the exhibition and its emphasis on layering and smelting into two-dimensional form. Made with Wei Huang.
A Blast Furnace, 2017

Artist’s book documenting and reproducing my solo exhibition ‘A Blast Furnace’ in a public arcade in central Prague in 2017. The book reflect the multi-medium, panoramic structure of the exhibition and reconstructs the main panorama through interlaced loose sheets of paper, mixing the original view with a system of new unexpected material meetings. The materials chosen mimic and translate the materials in the exhibition and its emphasis on layering and smelting into two-dimensional form. Made with Wei Huang.
A Blast Furnace, 2017<br />
<br />
Detail view. Vinyl sticker, painted wood, pvc printed globes. Curated by Christina Gigliotti. Galerie Ferdinanda Baumanna, Prague<br />
<br />
The exhibition explores the ubiquitous<br />
quality of iron through its movement, currents, and magnetic power. The raw<br />
destructive forces of this element are paralleled within the exhibition to the<br />
subject of the Strange-girl – born out of the ore, unpredictable and unknown,<br />
escaping capitalism’s ‘status quo’ and paving the way for new possibilities. In this context, the Strange-girl is imagined as a direct opposite and even willing adversary to Tiqqun’s idea of the “Young-girl” who is submissive, normal, likeable. The magnetic pole reversal spread across the gallery vitrines demonstrates the raw energy and chaos that ensues once set systems are disturbed.
A Blast Furnace, 2017

Detail view. Vinyl sticker, painted wood, pvc printed globes. Curated by Christina Gigliotti. Galerie Ferdinanda Baumanna, Prague

The exhibition explores the ubiquitous
quality of iron through its movement, currents, and magnetic power. The raw
destructive forces of this element are paralleled within the exhibition to the
subject of the Strange-girl – born out of the ore, unpredictable and unknown,
escaping capitalism’s ‘status quo’ and paving the way for new possibilities. In this context, the Strange-girl is imagined as a direct opposite and even willing adversary to Tiqqun’s idea of the “Young-girl” who is submissive, normal, likeable. The magnetic pole reversal spread across the gallery vitrines demonstrates the raw energy and chaos that ensues once set systems are disturbed.
A Blast Furnace, 2017<br />
<br />
Detail view. Poured tin, iron oxide, wood, metal.<br />
<br />
There is iron in my blood. There is iron in my blood, and yours, and at the center of the earth. It surges through my veins. Iron at the earth’s core is as hot as the surface of the sun. I harness this heat and when we touch you disintegrate.
A Blast Furnace, 2017

Detail view. Poured tin, iron oxide, wood, metal.

There is iron in my blood. There is iron in my blood, and yours, and at the center of the earth. It surges through my veins. Iron at the earth’s core is as hot as the surface of the sun. I harness this heat and when we touch you disintegrate.
A Blast Furnace, 2017<br />
<br />
Earth Magnetic Inclination<br />
Pvc ink-jet printed globes, 2x2x2 meter.<br />
<br />
A Blast Furnace, 2017

Earth Magnetic Inclination
Pvc ink-jet printed globes, 2x2x2 meter.

Stahlhartes Gehäuse, 2016<br />
<br />
Digital print, hardware, iron filings, magnets, magnetic paint, cut 'cold' flowers. Room E-10 27, Paris
Stahlhartes Gehäuse, 2016

Digital print, hardware, iron filings, magnets, magnetic paint, cut 'cold' flowers. Room E-10 27, Paris
Stahlhartes Gehäuse, 2016<br />
<br />
“Rational calculation . . . reduces every worker to a cog in this bureaucratic machine and, seeing himself in this light, he will merely ask how to transform himself… to a bigger cog… The passion for bureaucratization at this meeting drives us to despair.” Max Weber
Stahlhartes Gehäuse, 2016

“Rational calculation . . . reduces every worker to a cog in this bureaucratic machine and, seeing himself in this light, he will merely ask how to transform himself… to a bigger cog… The passion for bureaucratization at this meeting drives us to despair.” Max Weber
Doxic Orea. 2015<br />
<br />
Concrete staircase from Forssellstrappan, marble terrazzo, printed aluminum, hand etched iron plate, spray paint. For Norbergfestival. Printed design by Per Törnberg.
Doxic Orea. 2015

Concrete staircase from Forssellstrappan, marble terrazzo, printed aluminum, hand etched iron plate, spray paint. For Norbergfestival. Printed design by Per Törnberg.
Doxic Orea. 2015<br />
<br />
Concrete staircase from Forssellstrappan, marble terrazzo, printed aluminum, hand etched iron plate, spray paint. For Norbergfestival. Printed design by Per Törnberg.
Doxic Orea. 2015

Concrete staircase from Forssellstrappan, marble terrazzo, printed aluminum, hand etched iron plate, spray paint. For Norbergfestival. Printed design by Per Törnberg.
The earliest signs of iron making dates back to 400 BC while industrial scale activities dates back to the 17th century. Most mines are now closed. <br />
The earliest signs of iron making dates back to 400 BC while industrial scale activities dates back to the 17th century. Most mines are now closed.
The blast furnace plant at Lapphyttan, probably originates from 11 - 1200's (currently under reconstruction elsewhere), shows the beginning of the mining community that grew up in Bergslagen. In the Middle Ages, Norberg was a marketplace where mountain men in the surrounding districts gathered.<br />
<br />
In the 1970s, raw molten iron was transported by rail from the blast furnaces at Spännarhyttan to the steelworks at Surahammar. Spännarhyttans blast furnace was shut down for good in 1981.
The blast furnace plant at Lapphyttan, probably originates from 11 - 1200's (currently under reconstruction elsewhere), shows the beginning of the mining community that grew up in Bergslagen. In the Middle Ages, Norberg was a marketplace where mountain men in the surrounding districts gathered.

In the 1970s, raw molten iron was transported by rail from the blast furnaces at Spännarhyttan to the steelworks at Surahammar. Spännarhyttans blast furnace was shut down for good in 1981.
Doxic Orea. 2015<br />
<br />
Concrete staircase from Forssellstrappan, marble terrazzo, printed aluminum, hand etched iron plate, spray paint. For Norbergfestival. Printed design by Per Törnberg.
Doxic Orea. 2015

Concrete staircase from Forssellstrappan, marble terrazzo, printed aluminum, hand etched iron plate, spray paint. For Norbergfestival. Printed design by Per Törnberg.
Exergy, 2016<br />
<br />
Printed aluminium, iron rods, wood, paint, floor stickers. Photo from Fagersta Steelworks, graphics made with Aron Kullander-Östling. Platform, Stockholm
Exergy, 2016

Printed aluminium, iron rods, wood, paint, floor stickers. Photo from Fagersta Steelworks, graphics made with Aron Kullander-Östling. Platform, Stockholm
Exergy, 2016<br />
<br />
Printed aluminium, iron rods, wood, paint, floor stickers. Photo from Fagersta Steelworks, graphics made with Aron Kullander-Östling. Platform, Stockholm
Exergy, 2016

Printed aluminium, iron rods, wood, paint, floor stickers. Photo from Fagersta Steelworks, graphics made with Aron Kullander-Östling. Platform, Stockholm
Hard Weather, duo show with Carson Fisk-Vittori<br />
<br />
Et. Al, San Francisco
Hard Weather, duo show with Carson Fisk-Vittori

Et. Al, San Francisco
Hard Weather, duo show with Carson Fisk-Vittori<br />
<br />
Et. Al, San Francisco
Hard Weather, duo show with Carson Fisk-Vittori

Et. Al, San Francisco
Global Roundup. 2015<br />
Roundup® (glyphosat, herbizid), Morgenstern Carex, rubber, plastic corn fork, kork, glass globe, metal sticker.<br />
<br />
Part of DEEP SKIN at Sudbury Neutrino Observatory (SNOlab) http://deepsk.in/
Global Roundup. 2015
Roundup® (glyphosat, herbizid), Morgenstern Carex, rubber, plastic corn fork, kork, glass globe, metal sticker.

Part of DEEP SKIN at Sudbury Neutrino Observatory (SNOlab) http://deepsk.in/
Global Roundup. 2015<br />
Roundup® (glyphosat, herbizid), Morgenstern Carex, rubber, plastic corn fork, kork, glass globe, metal sticker.<br />
<br />
Part of DEEP SKIN at Sudbury Neutrino Observatory (SNOlab) http://deepsk.in/
Global Roundup. 2015
Roundup® (glyphosat, herbizid), Morgenstern Carex, rubber, plastic corn fork, kork, glass globe, metal sticker.

Part of DEEP SKIN at Sudbury Neutrino Observatory (SNOlab) http://deepsk.in/
Global Roundup. 2015<br />
Roundup® (glyphosat, herbizid), Morgenstern Carex, rubber, plastic corn fork, kork, glass globe, metal sticker.<br />
<br />
Part of DEEP SKIN at Sudbury Neutrino Observatory (SNOlab) http://deepsk.in/
Global Roundup. 2015
Roundup® (glyphosat, herbizid), Morgenstern Carex, rubber, plastic corn fork, kork, glass globe, metal sticker.

Part of DEEP SKIN at Sudbury Neutrino Observatory (SNOlab) http://deepsk.in/
Global Roundup. 2015<br />
Roundup® (glyphosat, herbizid), Morgenstern Carex, rubber, plastic corn fork, kork, glass globe, metal sticker.<br />
<br />
Part of DEEP SKIN at Sudbury Neutrino Observatory (SNOlab) http://deepsk.in/
Global Roundup. 2015
Roundup® (glyphosat, herbizid), Morgenstern Carex, rubber, plastic corn fork, kork, glass globe, metal sticker.

Part of DEEP SKIN at Sudbury Neutrino Observatory (SNOlab) http://deepsk.in/
New Emotions be Warned. 2015
New Emotions be Warned. 2015
New Emotions be Warned. 2015<br />
<br />
Wood, paint, iron oxide, Falu red paint, lamb hide, synthetic fur, Mora knife, ceramic tiles, carpet.<br />
<br />
Galerie Artists Unlimited, Bielefeld
New Emotions be Warned. 2015

Wood, paint, iron oxide, Falu red paint, lamb hide, synthetic fur, Mora knife, ceramic tiles, carpet.

Galerie Artists Unlimited, Bielefeld
New Emotions be Warned. 2015
New Emotions be Warned. 2015
New Emotions be Warned. 2015
New Emotions be Warned. 2015
Alone Like an Animal, and Yet Think, 2014<br />
<br />
Tar, synthetic fur, wire, hardware, wood, marching drum.
Alone Like an Animal, and Yet Think, 2014

Tar, synthetic fur, wire, hardware, wood, marching drum.
Alone Like an Animal, and Yet Think, 2014<br />
<br />
Tar, synthetic fur, wire, hardware, wood, marching drum.
Alone Like an Animal, and Yet Think, 2014

Tar, synthetic fur, wire, hardware, wood, marching drum.
Alone Like an Animal, and Yet Think, 2014<br />
<br />
Tar, synthetic fur, wire, hardware, wood, marching drum.
Alone Like an Animal, and Yet Think, 2014

Tar, synthetic fur, wire, hardware, wood, marching drum.
Iron Comfort, 2015<br />
<br />
Wood, Sunset Yellow FCF paint, Ponceau 4R paint, iron oxide, iron, stainless steel, aluminium can, IRN BRU, synthetic fur. 2015<br />
<br />
Performed as part of IMMUNITY (chorus) at V4ULT, Berlin
Iron Comfort, 2015

Wood, Sunset Yellow FCF paint, Ponceau 4R paint, iron oxide, iron, stainless steel, aluminium can, IRN BRU, synthetic fur. 2015

Performed as part of IMMUNITY (chorus) at V4ULT, Berlin
Iron Comfort, 2015<br />
<br />
Wood, Sunset Yellow FCF paint, Ponceau 4R paint, iron oxide, iron, stainless steel, aluminium can, IRN BRU, synthetic fur. <br />
<br />
Performed as part of IMMUNITY (chorus) at V4ULT, Berlin
Iron Comfort, 2015

Wood, Sunset Yellow FCF paint, Ponceau 4R paint, iron oxide, iron, stainless steel, aluminium can, IRN BRU, synthetic fur.

Performed as part of IMMUNITY (chorus) at V4ULT, Berlin
Iron Comfort, 2015<br />
<br />
Wood, Sunset Yellow FCF paint, Ponceau 4R paint, iron oxide, iron, stainless steel, aluminium can, IRN BRU, synthetic fur. <br />
<br />
Performed as part of IMMUNITY (chorus) at V4ULT, Berlin
Iron Comfort, 2015

Wood, Sunset Yellow FCF paint, Ponceau 4R paint, iron oxide, iron, stainless steel, aluminium can, IRN BRU, synthetic fur.

Performed as part of IMMUNITY (chorus) at V4ULT, Berlin
Through Wild Country, 2015<br />
<br />
Quartz clock, asparagus fern, wheat straw, spray paint. For 0dx, at Ashley Berlin.
Through Wild Country, 2015

Quartz clock, asparagus fern, wheat straw, spray paint. For 0dx, at Ashley Berlin.
Through Wild Country, 2015<br />
<br />
Fish figurine, steel bucket, almond milk, liquid rubber. For 0dx, at Ashley Berlin.
Through Wild Country, 2015

Fish figurine, steel bucket, almond milk, liquid rubber. For 0dx, at Ashley Berlin.
7 Pillars of Wisdom, 8 Pillars of Trust, 2016<br />
<br />
Tiles, wood, glass, liquid rubber, stickers, Austrian flag. Garret Grimoire, Vienna, Austria.
7 Pillars of Wisdom, 8 Pillars of Trust, 2016

Tiles, wood, glass, liquid rubber, stickers, Austrian flag. Garret Grimoire, Vienna, Austria.
Tower of A(r)mor, 2015<br />
<br />
Ink-jet print, magnets. Minibar, Stockholm. Made with Sydney Shen.<br />
<br />
In the measure of its dying, Life towers, triumphs, and rolls resistless across the planet that bore it.
Tower of A(r)mor, 2015

Ink-jet print, magnets. Minibar, Stockholm. Made with Sydney Shen.

In the measure of its dying, Life towers, triumphs, and rolls resistless across the planet that bore it.
Above the World (my N, my NNE, my NE, my E, my SE, my SSE, my S, my SSW, my SW, my W, my NW, my NNW), 2016<br />
<br />
Acrylic glass, stainless steel, steel, rubber spray, brass, Nd2Fe14B magnet, iron, iron filings, ferrofluid.<br />
50x50 cm. 315 Gallery, Brooklyn
Above the World (my N, my NNE, my NE, my E, my SE, my SSE, my S, my SSW, my SW, my W, my NW, my NNW), 2016

Acrylic glass, stainless steel, steel, rubber spray, brass, Nd2Fe14B magnet, iron, iron filings, ferrofluid.
50x50 cm. 315 Gallery, Brooklyn
Above the World (my N, my NNE, my NE, my E, my SE, my SSE, my S, my SSW, my SW, my W, my NW, my NNW), 2016<br />
<br />
Acrylic glass, stainless steel, steel, rubber spray, brass, Nd2Fe14B magnet, iron, iron filings, ferrofluid.<br />
50x50 cm. 315 Gallery, Brooklyn
Above the World (my N, my NNE, my NE, my E, my SE, my SSE, my S, my SSW, my SW, my W, my NW, my NNW), 2016

Acrylic glass, stainless steel, steel, rubber spray, brass, Nd2Fe14B magnet, iron, iron filings, ferrofluid.
50x50 cm. 315 Gallery, Brooklyn
Above the World (my N, my NNE, my NE, my E, my SE, my SSE, my S, my SSW, my SW, my W, my NW, my NNW), 2016<br />
<br />
Acrylic glass, stainless steel, steel, rubber spray, brass, Nd2Fe14B magnet, iron, iron filings, ferrofluid.<br />
50x50 cm. 315 Gallery, Brooklyn
Above the World (my N, my NNE, my NE, my E, my SE, my SSE, my S, my SSW, my SW, my W, my NW, my NNW), 2016

Acrylic glass, stainless steel, steel, rubber spray, brass, Nd2Fe14B magnet, iron, iron filings, ferrofluid.
50x50 cm. 315 Gallery, Brooklyn
Above the World (my N, my NNE, my NE, my E, my SE, my SSE, my S, my SSW, my SW, my W, my NW, my NNW)
Above the World (my N, my NNE, my NE, my E, my SE, my SSE, my S, my SSW, my SW, my W, my NW, my NNW)